Do You Think You Can Do Better Than The Casino Possibilities On Taking Part In Live Roulette

Priscilla Kelly/ August 22, 2016/ Blogging/ 0 comments

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Tips That Mobile Devices Casino Gambler Can Exploit

Priscilla Kelly/ August 22, 2016/ Blogging/ 0 comments

Mobile phone casino is standard pasttime at present

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Bettor Might Want To Consider These Cellular Guides

Priscilla Kelly/ August 22, 2016/ Blogging/ 0 comments

Mobile devices gaming is well known pasttime today

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CS GO ★ GIVEAWAY! FLIP KNIFE Tiger Tooth !

Priscilla Kelly/ June 6, 2016/ Blogging/ 0 comments

  1. Subscribe! 🙂 Like! Comment! ;* Good Luck! 😀
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  5. MGS5 Online – Leveling Up – Amber Station – Sweet Tooth Cosplay Gameplay – Both Rounds (Night) This is where I’m leveling up my character Sweet Tooth in Amber Station with my friend Jyakai-King Enjoy & subscribe for more)))
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    Peppa loses her tooth, so she puts the tooth under the pillow for the Tooth Fairy. Peppa Pig English Episodes. Don’t forget to subscribe for more new interesting videos!

     

     

     

       

The Sword

Priscilla Kelly/ June 6, 2016/ Blogging/ 0 comments

  1. Мастера Меча Онлайн Sword Art Online Клип AMW SAO

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  3. The Sword
    Event on 2016-05-10 19:00:00

    at The Culture Room
    3045 North Federal Highway
    Fort Lauderdale, United States

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  5. The Bud Light River City Rockfest
    Event on 2016-05-29 12:00:00

    at AT&T Center
    One AT&T Center Pkwy
    San Antonio, United States

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  8. The Sword
    Event on 2016-05-06 20:30:00

    at The International
    940 Blackstock Ave
    Knoxville, United States

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  11. The Sword
    Event on 2016-05-11 19:00:00
    with Purson, From Beyond
    There's an unspoken edict handed down through the ages when it comes to rock bands: there are no rules. Nobody picks up a guitar to be constricted or oppressed. It's all about feeling free artistically. Now, The SwordJohn Cronise [vocals, guitar], Kyle Shutt [guitar], Bryan Richie [bass], and Santiago Vela III [drums]cut out boundaries since day one. Their style never stood predicated on a trend or a template. They always create what feels right and let the results speak for themselves. When it came time to record the group's fifth full-length album, High Country [Razor & Tie], Cronise landed at something of a spiritual crossroads. Following the final tour for their critically acclaimed Apocryphon, he holed up in his North Carolina home and eventually began writing new songs. The material began to veer into a different space that at the time Cronise felt was somewhat outside of The Sword's sphere."I didn't even intend for the demos to be Sword songs," he explains. "But then I realized that I had taken on a sort of limiting view of what The Sword was, and that wasn't actually what I wanted it to be. I think the new album is more reflective of the music I listen to and where our heads are at collectively. With each of our albums, it's become less about fury and bombast and more about trying to write good songs. We realized that our music can go wherever we want it to go. There's no pre-determined course here now, and there never was." High Country became new territory for The Sword, and they began doing things differently. That approach included more attention to backing vocals and harmonies, implementing more synthesizers and percussion elements, and tuning to E-flat instead of all the way down to C. As a result, the guitars stand out as more vital and vibrant than ever."I felt like the low tuning had become more of a crutch than a tool," he says. "It was all a matter of trying to keep things fresh, and not fall prey to habits or expectations. We wanted to break out of any classifications and just put out a good rock record."Inspired, the boys headed to Church House Recording Studio in Austin, TX to cut High Country with Adrian Quesada of Brownout and Grupo Fantasma producing, Stuart Sykes [The White Stripes] engineering, and J. Robbins mixing. Over the course of four weeks, they hammered out the album's 15 tracks in the old converted church. Thematically though, Cronise's head was still in North Carolina."There are a lot of lyrical themes that run throughout the album," he explains. "I live out in the mountains, so nature really inspired the whole record. That's a large part of the lyrics."The title track and first single "High Country" springs from a transfixing guitar melody into a sweeping refrain, illuminating the group's inherent dynamics. Over those rolling riffs, the singer paints a thought-provoking topography."That was actually the first song I wrote that ended up going on the record," he says. "The title can have quite a few meanings. Physically, it might mean mountains and literal high country, but it can also refer to a plane of being; a place of wisdom and enlightenment.""Empty Temples" opens with a psychedelic buzz that quickly ramps up into towering guitars and another robust vocal display evocative of rock's golden age."It's loose and swinging, but it has these epic moments," says Cronise. "Lyrically, it's about letting go of the past and moving on. You just have faith if you embrace change and be unafraid, and you'll find where you need to go."The gathering storm of "Early Snow" eventually gives way to a rapturous horn section, another first for the band, while "Mist and Shadow" stirs up a haze of blues that's instantly thunderous. "That song is based around riffs written by Bryan, which is a new thing for us. He contributed quite a bit of music to this album, and in many ways it's our most collaborative work to date."Both "The Dreamthieves" and "Tears Like Diamonds" have titles inspired by the work of science fiction author Michael Moorcock, though Cronise insists the lyrics have lives of their own. "I'd prefer to let people interpret the songs how they want," he says, "which is one reason the lyrics aren't printed in the album sleeve this time. I think they're pretty intelligible and accessible, and I didn't want them to distract from the music." The Sword's impact continues to expand. 2012's Apocryphon debuted at #17 on the Billboard Top 200, marking their highest entry on the chart. Since first emerging with 2006's Age of Winters, the group has been extolled by everyone from Rolling Stone and The Washington Post to Revolver and Decibel. Metallica personally chose them as support for a global tour, and they've earned high-profile syncs in movies including Jennifer's Body and Jonas kerlund's Horsemen. However, High Country is the band's biggest, boldest, and brightest frontier."I want to make positive, uplifting music," Cronise leaves off. "High Country has moments of darkness and thoughtfulness, as anything I write probably will. But at the end of the day I want to put smiles on people's faces."

    at The Social
    54 North Orange Avenue
    Orlando, United States

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  13. The Sword
    Event on 2016-05-17 20:00:00
    with Purson, From Beyond
    Theres an unspoken edict handed down through the ages when it comes to rock bands: there are no rules. Nobody picks up a guitar to be constricted or oppressed. Its all about feeling free artistically. Now, The SwordJohn Cronise [vocals, guitar], Kyle Shutt [guitar], Bryan Richie [bass], and Santiago Vela III [drums]cut out boundaries since day one. Their style never stood predicated on a trend or a template. They always create what feels right and let the results speak for themselves. When it came time to record the groups fifth full-length album, High Country [Razor & Tie], Cronise landed at something of a spiritual crossroads. Following the final tour for their critically acclaimed Apocryphon, he holed up in his North Carolina home and eventually began writing new songs. The material began to veer into a different space that at the time Cronise felt was somewhat outside of The Swords sphere.I didnt even intend for the demos to be Sword songs, he explains. But then I realized that I had taken on a sort of limiting view of what The Sword was, and that wasnt actually what I wanted it to be. I think the new album is more reflective of the music I listen to and where our heads are at collectively. With each of our albums, its become less about fury and bombast and more about trying to write good songs. We realized that our music can go wherever we want it to go. Theres no pre-determined course here now, and there never was. High Country became new territory for The Sword, and they began doing things differently. That approach included more attention to backing vocals and harmonies, implementing more synthesizers and percussion elements, and tuning to E-flat instead of all the way down to C. As a result, the guitars stand out as more vital and vibrant than ever.I felt like the low tuning had become more of a crutch than a tool, he says. It was all a matter of trying to keep things fresh, and not fall prey to habits or expectations. We wanted to break out of any classifications and just put out a good rock record.Inspired, the boys headed to Church House Recording Studio in Austin, TX to cut High Country with Adrian Quesada of Brownout and Grupo Fantasma producing, Stuart Sykes [The White Stripes] engineering, and J. Robbins mixing. Over the course of four weeks, they hammered out the albums 15 tracks in the old converted church. Thematically though, Cronises head was still in North Carolina.There are a lot of lyrical themes that run throughout the album, he explains. I live out in the mountains, so nature really inspired the whole record. Thats a large part of the lyrics.The title track and first single High Country springs from a transfixing guitar melody into a sweeping refrain, illuminating the groups inherent dynamics. Over those rolling riffs, the singer paints a thought-provoking topography.That was actually the first song I wrote that ended up going on the record, he says. The title can have quite a few meanings. Physically, it might mean mountains and literal high country, but it can also refer to a plane of being; a place of wisdom and enlightenment.Empty Temples opens with a psychedelic buzz that quickly ramps up into towering guitars and another robust vocal display evocative of rocks golden age.Its loose and swinging, but it has these epic moments, says Cronise. Lyrically, its about letting go of the past and moving on. You just have faith if you embrace change and be unafraid, and youll find where you need to go.The gathering storm of Early Snow eventually gives way to a rapturous horn section, another first for the band, while Mist and Shadow stirs up a haze of blues thats instantly thunderous. That song is based around riffs written by Bryan, which is a new thing for us. He contributed quite a bit of music to this album, and in many ways its our most collaborative work to date.Both The Dreamthieves and Tears Like Diamonds have titles inspired by the work of science fiction author Michael Moorcock, though Cronise insists the lyrics have lives of their own. Id prefer to let people interpret the songs how they want, he says, which is one reason the lyrics arent printed in the album sleeve this time. I think theyre pretty intelligible and accessible, and I didnt want them to distract from the music. The Swords impact continues to expand. 2012s Apocryphon debuted at #17 on the Billboard Top 200, marking their highest entry on the chart. Since first emerging with 2006s Age of Winters, the group has been extolled by everyone from Rolling Stone and The Washington Post to Revolver and Decibel. Metallica personally chose them as support for a global tour, and theyve earned high-profile syncs in movies including Jennifer's Body and Jonas kerlunds Horsemen. However, High Country is the bands biggest, boldest, and brightest frontier.I want to make positive, uplifting music, Cronise leaves off. High Country has moments of darkness and thoughtfulness, as anything I write probably will. But at the end of the day I want to put smiles on peoples faces.

    at Brooklyn Bowl
    61 Wythe Ave
    Brooklyn, United States

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  15. The Sword
    Event on 2016-05-08 20:00:00
    with Purson, From Beyond
    One of the foundations of the metal revival of the past ten years, Austin TX's The Sword have released two flawless slabs of vintage heaviness on Kemado Records, toured the world with Metallica, and were one of the first bands to lock into a whole new legion of fans through Guitar Hero. This summer, the band casts its gaze to the stars for Warp Riders, their third full-length and their most ambitious effort to date.Warp Riders is The Sword's first concept album, a science fiction maelstrom put to the storming, relentless riffage and pounding rhythms upon which the band has staked its reputation. It's also their most flat-out, supercharged, adrenaline-pumping work yet, a chrome-plated war machine that lords over the blackened sky. From the street-prowling anthems "Night City" and "Lawless Lands" to the two-part showdown of "The Chronomancer," to the furious mechanics of closing track "(The Night the Sky Cried) Tears of Fire," The Sword forces eminent domain ruling over heavy metal for the next decade, and welcome all challengers for an ill-fated shot at the title.The story of Warp Riders, entitled "The Night The Sky Cried Tears Of Fire" (written by Cronise), follows Ereth as he discovers a mysterious

    at Sidebar Theater
    809 Railroad Avenue
    Tallahassee, United States

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